December 2011
2 posts
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ALWAYS EVERYTHING MIX 005: MUSICK FOR MOORLAND
Musick for Moorland was inspired by two immediate events. The first was writing a feature about The Haxan Cloak, whose self-titled album from this year is one of 2011’s finest, darkest treats. The second was a late night purchase of Leyland James Kirby’s 2008 album Bleaklow, recorded and released under the name The Stranger, whose theme was one of exploring the moors around the region...
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ALWAYS EVERYTHING MIX 004: INTO THE DEEP
As dubstep’s stature accelerates to a freefall from grace, the Bristol music scene’s existential crisis has deepened. Some have stuck to the path well trodden with mixed results-see Punch Drunk’s excellent releases from Bass Clef and Kahn, and compare to Joker’s trance tinged attempt at pop dubstep crossover - whilst others have undergone slow yet radical transformations....