ALWAYS EVERYTHING

WATCH // ERSTLAUB - SLEEPWALKING INTO THE UNDERWORLD

Another new release from Highpoint Lowlife that locks directly into the Always Everything axis, this time from Broken20 co-conspirator Dave Fyans, who records ambient drone as Erstlaub:

Sleepwalking Into The Underworld was sent to me billed as a full audio/visual piece, exploring the malleability of time and chaos theory. If that all sounds a little arch and conceptual, the piece itself – and the film that accompanies it – can just as easily be taken apart from the thoughts that drove its creation. Appropriately, given its watery theme, it’s a surprisingly immersive forty minutes, passing through curtains of static and strange ripples generated when different elements play off against one another. Shot in monochrome, the film itself leaves its imprint on the music – when absorbed by itself afterwards, it’s hard not to visualize unmoving columns of evergreens stretching into the distance.

You can watch the whole film here.

In Fyans’ own words:

“The piece is based around the concept of being drawn to places of resonance where the separation between different time periods are thin, specifically areas of historic spiritual importance, the title refers to the theme of ancestor worship and the idea of bodies of water being portals to the underworld. Visually the piece calls back the recurring themes of isolation within the vastness of the universe and stillness as a measure of time.

The piece is an expanded hypersigil created as a response to real world ideas and emotions but the space that exists between this inspiration and the final output is more than just a straight “musical” process. Elements of music theory, physics, maths play a part, as do the deeper concepts of chaos/pop magic, dimensionality within the universe and non-linear time.”

I watched for the first time it at about three in the morning, on the cusp of sleep, and it seems charged, primed with that hour of darkness: those moments immediately before the brain slips into unconsciousness, where time begins to flow freely and the mind begins to free associate. There’s obviously a level at which music like this – especially when based around this sort of concept – is psychedelic, as it plays havoc with perceptions of space and time in much the same way as a hallucinogen. Still, in this case, Fyans avoids typical contrived trappings of psychedelia in favour of something entirely subtler, and in doing so ends up being far more effective in conveying mood and idea. By the time I actually fell asleep I’d struggle to tell you whether I’d watched it for four or forty minutes.

Further transmissions from one of our favourite labels, one that’s sadly soon to be no more. For more Highpoint Lowlife info (and a link to buy the piece as standalone or on DVD), it’s well worth checking out their website, or the AE-penned pair of features (including an excellent mix from label boss Thorsten) on DiS.

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Rory